My Father’s Shadow, the debut feature by Akinola Davies Jr., is making history as the first Nigerian fiction film to secure a place in the official Cannes Film Festival lineup. Selected for the prestigious Un Certain Regard section, the film’s inclusion highlights a major shift in the global perception of Nollywood. While Nigerian films have made waves internationally in recent years, this marks a significant milestone. A homegrown story is finally taking its place at the heart of one of the world’s most respected cinematic events.

Set in Lagos during the 1993 Nigerian presidential election, My Father’s Shadow follows two young brothers who spend a crucial day with their estranged father. As they navigate the city’s tension-filled streets, the family grapples with emotional distance, uncertainty, and the unrest that shadows the country’s political climate. The story unfolds across the span of one day, yet it captures themes of identity, generational trauma, and the complexities of fatherhood.

The choice of setting not only adds urgency to the narrative but also grounds the film in a deeply Nigerian context.

The film stars Sope Dirisu, Uzuoamaka Power, and Winifred Efon, whose performances are expected to leave a lasting impression. With Sope Dirisu’s growing recognition from international works like His House and Gangs of London, the casting reflects a blend of homegrown talent and global appeal. This balance between local storytelling and international resonance may be part of what drew Cannes’ attention.

Behind the scenes, My Father’s Shadow is the product of collaboration between Fatherland Productions, Element Pictures, Crybaby, BBC Film, and the British Film Institute. Akinola Davies Jr., who co-wrote the script with his brother Wale Davies, brings his distinctive style and perspective to the project. His previous short film, Lizard, won the Grand Jury Prize at Sundance in 2021, suggesting a consistent trajectory of excellence. Still, this latest project marks a new level of achievement.

MUBI, known for championing auteur-driven cinema, has acquired distribution rights for the film across key regions including North America, the UK, Ireland, and Turkey. Although a theatrical release date has not yet been confirmed, plans are in motion to bring the film to audiences globally after its Cannes premiere. This international backing only reinforces the film’s potential to influence conversations around African cinema on a broader scale.

Importantly, the inclusion of My Father’s Shadow in Cannes’ Un Certain Regard section does more than validate Nigerian storytelling. It signals a growing interest in bold, original voices from regions that have long been underrepresented in major film festivals. Nigerian filmmakers are not just breaking into global platforms. They are reshaping them.

As the 2025 Cannes Film Festival approaches, all eyes will be on My Father’s Shadow. Its presence is not only a personal victory for Akinola Davies Jr. but also a collective step forward for Nigerian cinema. The film’s success could pave the way for more stories rooted in African realities to gain the global recognition they deserve.