Before the 19 begins, the poster makes an argument. The number four in the familiar three-digit sequence...
Shalom O. Obisesan
Shalom O. is a storyteller who lives deeply in the world of film. She moves easily between analysis, writing, and production, exploring every side of cinema with curiosity and intention. Whether for work or for fun, she’s always somewhere in the film conversation.
Hakeem Onilogbo did not set out to work in special effects. He set out to be an...
A Mama Deola Wedding Story marks both Kava TV's first original production and Folagade Banks' debut as...
The concept behind Ordinary People, created, written, and directed by Moses Inwang, has enough material for a...
A Father's Secret, directed by Adeoluwa Owu from a screenplay by Moshood Yakubu Olawale, works within that...
Alahun: The Weaver follows Adeboriiku, the son of a Balogun, whose name carries the whole of...
he cold open of The Takers is the film at its most assured. Before the title card...
The Man Died chronicles Soyinka's imprisonment without trial by the military government of General Yakubu Gowon in...
A happy ending, in the language of the massage industry, is a service that extends beyond its...
Patrick Diabuah did not arrive at acting. Acting arrived at him. His father played the trumpet. His...
