The Return of Arinzo, directed by and starring Iyabo Ojo, arrives burdened with memory. Thirteen years after...
Shalom Obisesan
Shalom O. is a storyteller who lives deeply in the world of film. She moves easily between analysis, writing, and production, exploring every side of cinema with curiosity and intention. Whether for work or for fun, she’s always somewhere in the film conversation.
There is a quiet ambition running through Evi, one that reveals itself not in its dialogue or...
The Creek situates itself within the familiar terrain of the Niger Delta, drawing from a history of...
There is a deliberate identity to Aba Blues, one that announces itself through tone, structure, and language...
There is a version of Headless that feels genuinely exciting. Not because of what it is about,...
At the centre of Mother’s Love is a conflict that feels immediately familiar. A child wants space....
Olive Nwosu reflects on the film’s origins, the social realities that informed it, and the emotional architecture...
Kunle Afolayan films often begin with something ordinary: a discovery, an opportunity, a mistake, a decision that...
If Birdie is a film built on silence, then its performances are where that silence begins to...
Onobiren: A Woman’s Story, written by Laju Iren and directed by Famous Odion Iraoya, approaches its...
