Watching Agbara Nla: The Return in a Nigerian cinema is its own specific experience. The audience does...
Shalom O. Obisesan
Shalom O. is a storyteller who lives deeply in the world of film. She moves easily between analysis, writing, and production, exploring every side of cinema with curiosity and intention. Whether for work or for fun, she’s always somewhere in the film conversation.
Kamo State, whose real name is Akinyoola Ayoola, had been in that conversation for months before Starlomo...
What Black Market reveals about the current state of Nollywood crime drama is something more specific: the...
That story, the one where Nora Awolowo requires someone else to name what she has done, is...
Before Dear Ajayi arrives in Nigerian cinemas it became the first Nigerian film selected for Venice Days,...
The premise of One Gidi Night is one of Nollywood's most cinematically precise in recent memory: a...
Before the 19 begins, the poster makes an argument. The number four in the familiar three-digit sequence...
Hakeem Onilogbo did not set out to work in special effects. He set out to be an...
A Mama Deola Wedding Story marks both Kava TV's first original production and Folagade Banks' debut as...
The concept behind Ordinary People, created, written, and directed by Moses Inwang, has enough material for a...
