For Biodun Stephen’s Atiko, we delve into the film’s blend of cultural themes, emotional storytelling, and technical artistry to uncover what makes it both compelling and flawed. By examining the plot, performances, technical aspects, and overarching story, we explore how the filmmakers use the lens of Yoruba spirituality to tackle universal themes of sacrifice, fate, and generational love.
Our approach highlights not just the film’s intentions but also how it resonates with audiences, celebrating its strengths while critiquing its limitations. In doing so, we aim to provide a balanced perspective that appreciates Atiko for what it achieves and the conversations it sparks.
We tried so hard to write this without spoilers, but some details might still give it away. Anyway, spoilers ahead!
Atiko
Directed by: Biodun Stephen
Written by: Yakub Moshood
Genre: Drama
Released on: January, 2025 (Circuits)
Language: English, Yoruba
Plot
The official logline on Circuits reads: “Lifelong friends Ajoke and Lape, facing hardships, discover a surprising lineage common to them. Their pursuit of change strains family bonds and challenges village perceptions, forcing them to hide their secret at a high cost.”
The plot of Atiko revolves around two lifelong friends, Ajoke and Lape, who take drastic measures to rewrite destinies after a devastating prophecy condemns them to a life of poverty. From their modest lives in a Yoruba village to the ripple effects of their decisions, the story chronicles the tension that emerges between the mothers and their children, as well as the suspicions it stirs within the community. The film thrives on the mystery of the mothers’ peculiar behaviour, gradually revealing the layers of their secret and keeping the audience engaged.
The plot unfolds through a series of emotionally charged events, though its abrupt scene transitions occasionally dilute some of its dramatic impact. While the prophecy and its fulfilment create a fascinating premise, some elements feel underexplored, such as Busola’s miscarriages and Karen’s role in Aderopo’s life, which could have added more depth to the story.
One major flaw in the plot is the scene where Ajoke and Lape take the boys to Baba Tapa’s shrine. They looked old enough to recall such a pivotal event especially with amount of mysticism experieced. in the scene.
That said, the central conflict between the mothers’ and the sons’ longing for connection is powerfully portrayed, offering a heartfelt look at the cost of generational sacrifice. The film shines in how it builds suspense and keeps viewers invested in uncovering the truth, leaving you hooked as it leads to its inevitable finale.
Story
Atiko is a story about fate, sacrifice, and the enduring struggle between tradition and personal ambition. Through the lens of Yoruba cultural beliefs, the film explores the idea of predestination and how individuals navigate the burden of unavoidable destinies. It highlights the emotional turmoil of parents who give up everything to ensure a brighter future for their children, even if it means severing the joys of maternal connection. This narrative positions themes of love, selflessness, and destiny at the forefront.
The film tells a deeply moving story that lingers with the audience long after the credits roll. The idea that prosperity can come at the cost of personal happiness and familial connection speaks to a profound truth about sacrifice and parenthood. The tension between the characters’ personal desires and the constraints of their cultural and spiritual circumstances is palpable, leaving viewers to reflect on the costs of “rewriting fate.” The emotional weight of the mothers’ choices and their tragic end remains the story’s most impactful takeaway.
Performances
The performances in Atiko breathe life into its emotionally charged narrative, with the cast delivering layered and compelling portrayals. Ibrahim Chatta is a standout as Baba Tapa, the enigmatic spiritual figure whose prophecy propels the story. Chatta, known for embodying authoritative roles, imbues Baba Tapa with a distinct physicality. His characteristic twitches and subtle expressions heighten the character’s mystique, distinguishing him from his previous roles.
Adebowale “Mr Macaroni” Adedayo shines as Akorede, revealing a level of emotional vulnerability that many might not have expected from him. His heartfelt performance in moments such as pleading with his mother to accept his gift of a house showcases his depth as an actor. Deyemi Okanlawon complements him well as Aderopo, portraying his character’s confusion, frustration, and deep love for his mother with a quiet strength.
The mothers, Ajoke and Lape, portrayed by Bimbo Oshin and Adediwura Gold in their older versions, bring a unique charm and complexity to the film. Their characters exude love and care while skilfully masking their secrets with an air of wisdom and cunning. This ambiguity keeps the audience invested, unsure whether the mothers or their sons are hiding something.
The younger versions of these characters, played by Modola Osifuwa (younger Ajoke) and Bolaji Ogunmola (younger Lape), successfully convey the desperation and determination that lead to the mothers’ ultimate sacrifices. These performances lay a solid emotional foundation, making the older characters’ actions feel all the more poignant.
The supporting cast also deserves recognition. Teniola Aladese, as Busola, Akorede’s wife, gives a sensitive and authentic performance, especially as she grapples with the pain of repeated miscarriages and her growing doubts about her husband. Adunni Ade as Karen, Aderopo’s wife, brings depth to her character, though her role could have been explored further. Adebayo Salami, as Baba Mogaji, delivers a dignified performance, particularly in moments where he steps in to mediate conflict.
Even the smaller roles, played by actors such as Wumi Toriola, Jide Kosoko, Adeniyi Johnson, and Salewa Yusuf, contribute meaningfully to the overall narrative.
Technical Aspects
The film’s technicalities blend emotional storytelling with a variety of visual and auditory choices to enhance its impact. The cinematography captures a natural, lived-in aesthetic that reflects the grounded setting of a Yoruba village. There’s an authenticity to the film’s colour grading and lighting that immerses the audience in its emotional world.
However, the frequent cuts between shots sometimes feel jarring, particularly in the opening musical scene, where the camera’s observational style struggles to fully convey Ajoke’s dilemma in the marketplace. A more choreographed, immersive approach could have strengthened the connection to this scene.
The film’s soundtrack is memorable, with songs that echo the themes of destiny, hope, and resilience. Music is more than an accompaniment here—it becomes a character of its own, underscoring pivotal moments and drawing the audience into the emotional weight of the story.
The visual effects, crafted by Anthill Studios, add an effective layer of mysticism. The spiritual elements depicted through VFX successfully convey the supernatural in Baba Tapa’s coven enhancing the film’s connection to Yoruba spirituality. These effects feel purposefully unnatural, amplifying the audience’s sense of otherworldliness without being overbearing.
Where the technical aspects falter is in the pacing and editing. Abrupt scene transitions occasionally undercut emotional moments, such as when Ajoke discovers Lape’s death. Allowing certain scenes to linger would have heightened their emotional resonance. Similarly, the use of certain props, like the exaggerated bandages on Aderopo and Akorede, while characteristic of Yoruba cinema, can feel a little heavy-handed. Also, the make up for Baba Tapa is inconsistent.
Atiko demonstrates a thoughtful approach to its technical elements, particularly in its visual and auditory design. Together, these choices create an immersive and emotionally resonant viewing experience.
Final Thoughts
Atiko is a film that thrives on its emotional depth, cultural grounding, and thematic resonance, but like many stories, it invites a closer look at certain narrative choices. Some viewers may point out perceived plot holes, such as Busola’s departure from the story after leaving Akorede or the absence of Karen’s child on screen. However, these elements don’t detract from the overall narrative; rather, they serve the story’s emotional and thematic priorities.
Busola’s exit from the plot feels natural and justified. Her leaving Akorede’s life mirrors her leaving the narrative. Her story is less about resolution and more about the cumulative toll of her relationship with Akorede, his mother, and the mysterious forces around them. The film doesn’t need to follow her journey beyond that point; her absence reinforces the lingering sense of loss and fracture within Akorede’s life.
What may seem like plot holes are instead narrative choices that prioritise the story’s emotional and thematic arcs over exhaustive details. Atiko is less concerned with tying off every thread than with immersing its audience in a tale of sacrifice, love, and the unrelenting grip of destiny. It’s a film that invites viewers to reflect on the weight of generational choices and the mysteries of fate, leaving some questions unanswered, not out of neglect, but to maintain its aura of intrigue.
Verdict
Atiko is a poignant exploration of sacrifice, destiny, and the complexities of generational love, anchored by strong performances and a deeply emotional core. The film excels in immersing the audience in its themes of cultural spirituality and the cost of rewriting fate, with moments that linger long after the credits roll.
It is a heartfelt, thought-provoking drama that resonates through its emotional sincerity. Atiko succeeds in delivering a compelling tale that will leave audiences reflecting on its messages of love, sacrifice, and the burden of destiny.
Atiko is currently streaming via Circuits.
Rating: 3.85/5
Leave a Reply