Nigerian cinema has ventured beyond geographical limits to create captivating stories in a variety of international settings. Films crafted outside Nigeria do more than entertain; they reveal narratives steeped in the richness of Nigerian culture while exploring the complex dynamics between place and identity.

This exploration invites you to discover a selection of these compelling films, showcasing how their diverse locations elevate the storytelling and amplify the emotional depth of the characters’ journeys.

Join us as we dive into these cinematic works that beautifully connect cultures and narratives across the globe.

Water and Garri (2024)

Directed by Meji Alabi, this film is set in Nigeria but filmed in Cape Coast, Ghana. The choice of location was intentional, using the aesthetic beauty of Cape Coast to enhance the film’s overall visual appeal. This picturesque setting contrasts sharply with the protagonist’s memories of Nigeria, symbolizing her sense of disconnect and highlighting how much her society has changed in her absence. The unfamiliar landscape reflects her struggle to reconnect with a place that no longer feels like home.

Òlòtūré: The Journey (2024)

The sequel series to Òlòtūré (2019), deepens the exploration of human trafficking with its choice of locations. Set in both Lagos, Nigeria, and Mauritania, the film captures the city’s role as a major hub for trafficking, reflecting its chaotic and complex environment.

The inclusion of Mauritania, with its harsh landscapes, underscores the perilous migration routes used by traffickers and highlights the stark contrast between the relative safety (home) of Lagos and the dangers faced by migrants. The film’s authenticity is bolstered by the cast’s commitment to realism, such as spending the entire shoot in Mauritania without combing their hair, which reinforces the harsh realities portrayed.

Postcards (2024)

Postcards, released on May 3, 2024, is a Nigerian-Indian Netflix series created by Hamisha Daryani Ahuja, featuring a diverse cast including Sola Sobowale and Richard Mofe Damijo. Set in the vibrant landscapes of Lagos and Mumbai, the series follows four Nigerians on their journeys of love, acceptance, and self-discovery, showcasing the rich cultural exchange between Nigeria and India. As the characters navigate the complexities of identity and family dynamics in a foreign land, the interplay between their backgrounds enhances themes of personal growth and relationships.

This unique backdrop highlights the connections and contrasts between the two cultures and fosters a deeper understanding of the characters’ transformations. The series stands out for its exploration of cross-cultural experiences and the challenges that come with them.

A Song from the Dark (2024)

This Nigerian-British horror film directed by Ogodinife Okpue is set in both England and Nigeria, following Ashionye, a reluctant spirit hunter portrayed by Vanessa Vanderpuye, as she confronts her tragic past while battling vengeful spirits. The setting of A Song from the Dark is significant as it juxtaposes England’s modern landscape with Nigeria’s rich cultural heritage, highlighting the blend of African mysticism and contemporary life.

This contrast emphasizes Ashionye’s estrangement from her roots and illustrates how unresolved traumas can transcend borders. The use of both English and Igbo languages adds authenticity, underscoring the characters’ struggles and the haunting legacy they confront, while reinforcing themes of revenge, justice, and identity within the framework of African folklore.

Black Mail (2022)

Black Mail, directed by Obi Emelonye, serves as an ambitious British-Nigerian crime thriller that tackles issues of privacy and blackmail in the digital age. Shot in London during the lockdown, the film follows Ray Chinda, played by O.C. Ukeje, a successful actor whose seemingly perfect life unravels when he becomes the target of a cyber-blackmail scheme. As Ray races against time to protect his reputation, the film explores themes of vulnerability, fame, and the impact of digital threats.

The subplot involving a failed footballer-turned-hacker, Vitali, highlights a larger issue of cybercrime and the exploitation of privacy, adding layers to the storyline. Despite the critique regarding the film’s competing plots and pacing, Black Mail stands as an example of a Nigerian filmmaker pushing the boundaries of storytelling by situating a Nollywood narrative within the context of a contemporary London setting. This cross-cultural approach enriches the film’s narrative, demonstrating how Nigerian stories, when told outside their shores, can engage with universal themes while still retaining their unique perspective.

Christmas in Miami (2021)

This comedy film directed by Robert Peters is set in Miami, USA, and follows the Dafe family as they participate in an intercontinental Christmas fiesta alongside families from various countries. The Miami setting is significant as it showcases a vibrant cultural milieu, emphasizing the beauty of diversity and the spirit of togetherness during the festive season.

This backdrop not only highlights the contrast between the Nigerian family’s traditions and those of other cultures but also reinforces the film’s themes of love and unity. The film’s portrayal of various cultures coming together in a celebratory context underscores the idea that shared experiences can transcend differences, illustrating the universal nature of the holiday spirit and the importance of familial bonds.

Shine Your Eyes (2020)

Set in the bustling streets of Brazil, this drama directed by Matias Mariani follows Nigerian musician Amadi Igbomaeze on a quest to find his estranged brother, Miro Kuzko. The film examines the contrast between Amadi’s expectations and the reality of his brother’s life, highlighting the complexities of familial bonds and personal identity in an unfamiliar environment.

The Brazilian setting provides a backdrop that underscores the challenges of navigating cultural differences while exploring universal themes of belonging and connection. Through a unique blend of languages, including Igbo, Portuguese, and English, Shine Your Eyes prompts viewers to reflect on relationships shaped by distance.

Rattlesnake: The Ahanna Story (2020)

In Rattlesnake: The Ahanna Story, Ahanna travels to Cape Town, South Africa, as part of his escape plan following a series of criminal activities in Nigeria. The trip to Cape Town represents a strategic move to avoid legal consequences and continue his criminal enterprises under a different jurisdiction. Cape Town’s inclusion in the film adds an international layer to Ahanna’s journey, reflecting his attempts to navigate and manipulate global borders in his pursuit of power and survival. The city’s setting also enhances the film’s narrative by contrasting Nigeria’s urban landscape with a more cosmopolitan environment, illustrating the protagonist’s broader ambitions and the extent of his reach.

Gone Too Far! (2013)

Gone Too Far! is a British Nigerian comedy-drama directed by Destiny Ekaragha, based on Bola Agbaje’s Olivier Award-winning play. The film, starring Malachi Kirby, OC Ukeje, and Adelayo Adedayo, is set in the multicultural neighborhood of Peckham, South London, where Nigerian-born Yemi navigates his relationship with his older brother, Iku, who has just arrived from Nigeria. Filmed on location in London, the setting plays a crucial role in exploring themes of cultural identity and heritage, capturing the atmosphere that reflects the characters’ struggles and connections.

30 Days in Atlanta (2014)

30 Days in Atlanta is a 2014 Nigerian romantic comedy that was filmed in Lagos and Atlanta, Georgia. Directed by Robert Peters and produced by Ayo Makun, the film follows Akpos, who wins a trip to Atlanta and invites his cousin Richard along. The storyline unfolds as Akpos and Richard navigate cultural differences, romantic entanglements, and legal troubles while encountering various characters, including Kimberly and her father, Odiye. Its use of Atlanta’s urban setting contrasts with the vibrant Lagos scenes, emphasizing the cultural clash and comedic elements central to the film’s plot.

Mirror Boy (2011)

Directed by Obi Emelonye, is a film that showcases the journey of Tijan, a young boy who moves from London to Gambia. As he navigates a mystical forest, Tijan embarks on a transformative adventure that reveals deep family secrets about his absent father. Shot in England and The Gambia, the film features a strong cast, including Genevieve Nnaji and Osita Iheme. It was nominated for three Africa Movie Academy Awards and is noted for its significant impact on Nollywood’s recognition in British cinemas.

This film not only highlights the beauty of African culture but also marks a crucial moment for Nollywood cinema, achieving record-breaking success in British cinemas and reinforcing the relevance of Nigerian stories told outside its shores. By bridging the gap between the diaspora and homeland, Mirror Boy offers a poignant exploration of identity, belonging, and the connection to one’s roots.

A Trip to Jamaica (2016)

This comedy-drama unfolds the adventures of a newly engaged couple navigating life in the United States and later Jamaica. The setting plays a crucial role as it contrasts the couple’s Nigerian roots with the lavish lifestyles of upper-class Americans and the vibrant culture of Jamaica.

This juxtaposition highlights the culture shock experienced by the characters, emphasizing themes of identity and the challenges of adapting to new environments. As they encounter humorous situations and unexpected revelations, including the secrets of their hosts, the film underscores the complexities of love and relationships amidst different cultural landscapes, ultimately showcasing the importance of understanding and communication in a cross-cultural context.

Nollywood’s expansion beyond Nigeria’s borders marks a significant evolution in storytelling. By incorporating diverse international locations, Nigerian cinema enriches its narratives with global perspectives and enhances its portrayal of themes that cross-cultural and geographical boundaries. The result is a broader global reach and a deeper exploration of universal issues such as identity, struggle, and ambition.

Nollywood now reflects both local and global realities, showcasing African stories in a way that speaks to audiences around the world.