After an eight-year hiatus, Sola Sobowale’s return to Nollywood has been marked by powerful performances, including Eniola Salami in King of Boys and Awarun in Aníkúlápó. In Her Excellency, she steps into the role of Moyeni, once again asserting her screen dominance. Directed by Adebayo Tijani and Tope Adebayo Salami—renowned for their collaborations in the indigenous film space—the film premiered in cinemas nationwide on July 4, 2025. Her Excellency also serves as a tribute to Oga Bello (Adebayo Salami), celebrating his 60-year milestone in Nollywood.

A First Lady’s Downfall in a State of Chaos

Set against the backdrop of Nigeria’s sociopolitical climate, Her Excellency tells the story of Moyeni (played by Sobowale), a deeply distrusting First Lady whose obsessive quest for control, both at home and in governance, triggers a chain reaction of chaos. The film explores powerful themes including jealousy, distrust, anger, corruption, and greed. As a drama, it delivers well within its 1-hour and 55-minute runtime.

A Marriage Strained by Paranoia

Moyeni has been married to the Governor of Salim State (played by Yemi Solade) for over two decades, yet she remains suspicious of his loyalty. Through the use of flashbacks, a violent confrontation occurs where she accuses him of infidelity and physically assaults him, leaving a visible scar.

Despite years of spying and finding no proof, Moyeni remains convinced he is romantically involved with a commissioner he refuses to dismiss. Her paranoia drives the plot and raises questions about whether jealousy is always rooted in betrayal, or if it sometimes stems from unresolved trauma or personal insecurity.

Ironically, the Governor eventually commits the very act he was long accused of. He justifies his affair as a result of emotional pressure from his wife, though he had never expressed any desire for separation or divorce. Instead, he escalates the situation by inviting a new woman into their already troubled marriage.

Sobowale Shines, Surrounded by a Strong Ensemble

Sobowale delivers a masterclass in performance, embodying Moyeni with just the right balance of rage, vulnerability, and cunning. Yes, we it might seem like yet again she is playing something familiar which is dominance. But this 

Two standout scenes are her monologues. In both, she speaks to herself as if another presence is in the room. It’s in these moments that she truly reveals fear, anxiety, and vulnerability—an added depth compared to her usual dominant roles. These monologues create an unspoken connection with anyone who’s felt cheated, played, or betrayed. They serve as a subtle plea for understanding, framing her actions as a response to the cruelty she’s endured from men. 

Sobowale and Solade delivered a convincing performance as a distressed couple. They understood each other’s silence and complemented one another, even in conflict. Their arguments weren’t just loud or chaotic—they revealed pain, disbelief, and a pull between peace and turmoil. Both actors maintained distinct tones in their interactions, and the emotional intensity never waned.

The ensemble cast also shines. Notable performances come from Adebayo Salami, Bimbo Ademoye, Faithia Balogun, Muyiwa Authentic, Kiekie, and Aisha Lawal. Though a few minor characters like the children and the thugs fall short. However, the direction and editing ensures that their weaker moments don’t distract from the film’s overall strength. 

But its worth noting that extra characters often receive less attention in execution, which can lead to noticeable gaps or flaws.

Language, Visuals, and the Final Blow

One potential barrier for non-Yoruba speakers is the film’s heavy use of the Yoruba language—something that’s made clear from the trailer. But a detailed subtitle would make it suitable for even non-Yoruba speakers.

The film boasts impressive cinematography, with thoughtful scene composition and atmospheric lighting. A standout moment comes in the final scene: as Moyeni faces arrest, the use of smoke and lighting captures the emotional weight of her downfall with haunting beauty. Every scene at the governor’s office was very beautiful to watch because of the colour and setting it had. 

Another noteworthy aspect is how potential loose ends were neatly tied up—the scar on the governor’s head, the bracelet left at the scene, and the story the First Lady watched. These elements reflect the story’s attention to detail and the strong synergy between continuity and editing.

However, like in many Nigerian films, the crime scenes in this film suffer from weak direction and unconvincing special effects. The staging lacks depth, with poor blocking and limited camera movement that fail to build suspense visually. Instead of relying on atmospheric tension or visual storytelling, these scenes depend heavily on loud sound design—often using exaggerated noises rather than realistic audio cues to convey danger or urgency. The absence of practical effects, detailed set design, and nuanced editing further strips these moments of believability, making them feel rushed and disconnected from the film’s overall tone.

Verdict

Her Excellency stands out as a strong entry in the indigenous Nollywood drama space. It delivers on its promise of political intrigue and emotional conflict. More importantly, it leaves viewers reflecting on the destructive force of unchecked power and suspicion within both public office and private relationships.

Rating: 3.5/5