Sin: First Blood – A Crime Thriller That Goes Nowhere

Jim Iyke returns under his 6th Sense Movies banner with Sin: First Blood. The first part of the highly anticipated $2.5 million project is now streaming on Amazon Prime. Directed by Yemi Morafa and Oladimeji Ajibola, and featuring a cast that includes Toni Tones, Gideon Okeke, and Chimezie Imo, this film promises a gripping descent into the Lagos underworld. But does it deliver?

A Promising Premise Weighed Down by Execution

The film opens with Tosin Shina—Lagos socialite and nightclub owner—watching her life unravel when her husband, Jide, is arrested for drug trafficking. With her world collapsing and her children to protect, she’s forced into the same drug empire that destroyed her life, becoming a reluctant player in a deadly game. While the central plot holds promise, much of the narrative meanders.

We get glimpses into the DEA investigation and various side stories, but they’re so underdeveloped that they barely register. Most of the film feels like a build-up, but with minimal payoff. For a crime thriller, there just isn’t enough urgency.

An Interesting Setup That Struggles to Hold Attention

There’s no denying that the premise—an elite woman forced to enter the drug world—is compelling. Unfortunately, the storytelling doesn’t match the stakes. From Jide’s arrest to Tosin’s eventual entanglement with the cartel, the pace drags. We’re almost at the end before anything of note actually happens, and even then, the moments feel fleeting.

Perhaps the real drama is being saved for the second part of the story, but the first instalment should still be strong enough to keep viewers engaged. Instead, it often feels like a slow burn with no real fire.

Stellar Cast, Subpar Performances

Despite a lineup of strong actors, the performances fall flat. Toni Tones (Tosin), usually reliable, struggles with key moments, especially in the scene where she tries to reject the cartel, only to find that they have already left. Jim Iyke once again plays the familiar tough guy, bringing nothing new to his role as Black. Even actors like Gideon Okeke and Chimezie Imo—who’ve impressed in past roles—feel underutilised.

The most baffling moment comes from Bimbo Manuel’s Director Mordi, whose outburst at two international agents is so over-the-top, it becomes laughable.

A Visually Polished Film with Jarring Sound Choices

Visually, the film delivers the standard Nollywood gloss—clean cinematography and decent production if you can excuse the occasional over exposed unrealistic theatrical lighting. But beyond that, it struggles. The soundtrack is distracting at best and completely mismatched at worst. The film leans far too heavily on slow-motion scenes that add little value and stretch the runtime unnecessarily.

From Spider’s ridiculous tattoo to the DEA’s generic badge/logo, the film suffers greatly from not being well detailed. There’s a clear intention to stylise, but it ends up feeling like style over substance.

Final Thoughts

Right from the start, there’s confusion around the film’s identity. The title card reads Sin: First Kill, but Amazon Prime lists it as Sin: First Blood. Basic details like this should be consistent. Timeline logic is also fuzzy—cartel members showing up in a fleet of flashy cars to Tosin’s house makes no sense for a mission that should have been covert. The use of voice-overs from various characters adds another layer of tonal inconsistency. And when Tosin is pushed to kill for the first time, it feels like a forced nod to the title rather than an earned character moment.

Verdict

Sin: First Blood is packed with potential but ultimately underwhelms. It has all the ingredients—a good cast, a big budget, and two talented directors—but something definitely went wrong somewhere. The plot barely moves, the performances are subpar, and the inconsistencies pile up. At nearly 2 hours long with so many characters doing so little, the film is very much bloated without substance.

Still, with the way this chapter ends, the only option is a very shaky hope that the second part delivers what this one couldn’t.

Rating: 1.25/5

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Uju Okosieme

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