In the heart of Nigeria’s turbulent 1990s, Cordelia unfolds as a romantic period-drama where love and politics entwine with a gentle, almost meditative grace. Directed by the venerable Tunde Kelani and adapted from Femi Osofisan’s novella, this film is a delicate dance of human emotion set against the backdrop of military rule.

At its core is a disillusioned professor (William Benson), whose personal turmoil over his marriage collides with the arrival of Cordelia (Omowunmi Dada), the daughter of a colonel embroiled in a coup. Initially beginning as a quiet, introspective journey, it soon spirals into a tale of sacrifice, bravery, and national upheaval. Yet, for all its ambition, Cordelia moves at a pace that demands patience: a slow burn that may leave some viewers adrift, whilst others find themselves enchanted by its subtle charms, like the tender moment of Remi’s piano scene.

The Story, Whispers of the Heart

The story of Cordelia is one of quiet transformations and unspoken desires. The professor, a lecturer frayed by marital discord, is a man whose inner world mirrors the fractured nation around him. His journey from paralysis to reluctant heroism anchors the film’s exploration of personal and political secrets. Cordelia, meanwhile, is both spark and enigma, her cheerfulness veiling deeper fears. The emotional arc unfolds deliberately, as if hesitant to rush its revelations, reflecting the uncertainty of the era. This restraint is the film’s strength, letting silence and small gestures carry weight. But it can also feel distant, requiring multiple viewings to fully sink in, as the characters’ inner lives whisper rather than shout.

The Plot, A Slow-Moving River

The plot flows like a river: deep, calm, and sometimes elusive. It follows the professor’s descent into chaos after sheltering Cordelia, a student whose life is upended by a military coup tied to her father. Political satire simmers beneath the romance, with the coup driving both tension and tenderness. Yet, the pacing is unhurried, often lingering too long on quiet moments. The university riot feels muted, and Cordelia’s peril lacks urgency, making the narrative circle its themes rather than charge towards them. Still, sweet interludes like Remi’s piano scene pierce the stillness, reminding us that beneath the politics, this is a story of human connection. For some, this slowness may disconnect; for others, it’s a meditative pull.

The Performances, A Mixture of Light and Shadow

The performances are a delicate interplay of brilliance and restraint, with some actors illuminating the screen whilst others remain quietly in the background. William Benson’s Professor Dekunle is the film’s quiet anchor, his understated bravery and inner turmoil lending much of its emotional weight. Omowunmi Dada’s Cordelia, though vibrant, can feel like a puzzle piece that doesn’t quite fit, her cheerfulness occasionally at odds with the story’s gravity. Yet, it is Yvonne Jegede’s Remi who truly captivates, her fiery spirit and underlying pain adding a rich, compelling layer to the narrative. Her feisty nature isn’t mere bravado, but a reflection of her character’s wounds, making her a standout presence that draws the audience in.

Keppy Ekenpyoung, as Colonel Nwanze-Peters, delivers a masterful portrayal, his expertise shining through even in a challenging moment. In a scene where he converses with Kunle, his lines feel unnecessarily delayed, dragged, and repetitive, perhaps a stumble in delivery. Yet, he masks this imperfection with such skill that it’s almost unnoticeable. Whilst a touch of editing might have sharpened the exchange, the moment remains passable and doesn’t dim his overall brilliance. However, the dynamic between the professor, Remi, and Cordelia occasionally strains, as if the script struggles to weave their stories together seamlessly. Together, these actors form a mixed but engaging ensemble, with Remi and the Colonel leaving the strongest impressions.

The Gentle Hand of Craftsmanship

Tunde Kelani’s direction is steady and reverent, guiding Cordelia with a soft touch. Adekunle Nodash Adejuyigbe’s cinematography bathes the film in a nostalgic glow, lingering on intimate details—the flicker in the professor’s eyes, the curve of Cordelia’s smile, even a radio. This patience mirrors the story’s pace, though it sometimes lacks the dynamism to push it forward. The score, crafted by Michael Ogunlade and University of Delaware musicians, is a subtle companion—sombre and soft, it deepens the reflective mood without overwhelming it. A dubbed singing scene between the professor and his wife jars briefly, but overall, the craftsmanship shines through in its restrained elegance.

Final Thoughts

Cordelia is a film that asks for your patience and rapt attention, offering not grand gestures but quiet revelations. It explores sacrifice and bravery against a backdrop of history, unfolding like a photograph developing in dim light. For those who lean into its rhythm, it’s a layered gem; for others, its muted beats and deliberate pace may feel like a wall. Its cultural and political commentary is subtle, almost too gentle, leaving questions to linger in the silence. It’s a film that rewards contemplation, not immediacy.

Verdict

Cordelia is for the patient soul who savours a slow, introspective tale where character and theme bloom over time. If you seek a meditative escape rather than a gripping ride, it’s a quiet triumph worth your while.

Rating: 3/5