Criminal: Desperation and Ethical Dilemmas? Who Exactly is The Criminal?Criminal is a well-executed film with a truly engaging story. The sense of direction and attention to detail in the film is actually a testament of expertise.- ‘Kill Boro’: A Powerful Tale of Love, Family and RedemptionWho wouldn’t want to discover why Boro must be killed and how he meets his demise, if at all when a film is titled ‘Kill Boro’?
- “Momiwa”: A New Trope in Family Dynamics“Momiwa” introduces a new trope into the Nollywood family genre by subverting traditional maternal archetypes. Through the character of Momiwa, the film explores the power of love
- “Crossroads”: An Intertwining Path that Leads to a Convenient EndThe film “Crossroads” follows a typical damsel in distress narrative, focusing not only on a rescue romance but also on character and plot inconsistencies
- “Funmilayo Ransome-Kuti”: O God of Israel, This Is Cinema!The beauty of cinema is mainly giving an immersive experience. Funmilayo Ransome-Kuti is exactly that, and more. So much more.
- “UNO The F In Family”: Forgiveness or Failure? The F Stands for BothWatching “Uno The F in Family” was such a chore. Beginning with the overused stereotypical portrayal of a funny driver who doesn’t know when to keep quiet
- ‘Water and Garri’: So Beautiful Yet So DullWater and Garri has been highly anticipated, especially with Tiwa Savage’s debut as a lead actress. Meji Alabi makes his first foray into filmmaking
- ‘Ajosepo’: Kayode Kasum’s Unusual Union of Family, Love and ChaosThe Yoruba word ‘Ajosepo’ can be interpreted as “we do it together”. This phrase is not just a word; it encapsulates the Yoruba cultural context
- ‘Aburo’: Beyond The Finish Line, But Not Quite“Aburo” appears to offer a narrative that extends beyond mere physical prowess, touching upon deeper emotional and interpersonal dynamics.
- ‘Postcards’: A Journey Through Love and IdentityPostcards from the director of Namaste Wahala, takes viewers on a cultural exploration set in Mumbai, offering a blend of Nigerian and Indian perspectives.
